Andy Warhol: The Pop Art Movement.

The Artist No other maneuverist is as much(prenominal) identified with garbage down Art as Andy Warhol. He was a modernist painter who precious to get rid of the rest between fine art and commercial art, and treasured to show the world that art can be tack together in e reallyday objects, such as magazine illustrations, curious books, advertising campaigns, etceteraAndy Warhol Biography). He started to paint familiar images such as money, comics, dollar signs, food, groceries, womens shoes, celebrities, and newsprint clippings (Andy Warhol Biography). He believed in making his paintings start as if they were utensil made by using print and replicating images, signifying an convention line, and reproduced them because he extremityed everyone to think alike. He wanted no trace of the piece touch. He wanted the only discrepancies or differences in his artwork to appear cause by a machine and sometimes even deliberately replicated piteous quality commercial belief w ith slurs of ink, and off-register clour, to do just that(Kinsmen 2).. A very good typeface of this is with his 6 ft 10 1/4 x 4 ft 9 inunct painting, Green Coca-Cola Bottles through with(p) in 1962. Although it was not his most noted work, for Warhol it symbolized American ethnic values, and democratic equality.

An example of this is illustrated in Warhols retell that, [a] Coke is evermore a Coke; the Coke that the prexy drinks is the same as your Coke or mine(Foster, Hal, etc. 447). He used silkscreen to give more of an assembly line tack and his repetitive style signified majority media culture and how we come up the same things day after day, ! everywhere we go. He carried this technique with him to later paintings as he became hypnotised with the open sores of policy-making life. He painted celebrities like Marilyn Monroe, Richard Nixon and images of morbid, If you want to get a full essay, order it on our website: OrderCustomPaper.com

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