Fellinis Departure from Neo-realism In my opinion, the cinemas, Nights of Cabiria and La dolce Vita to be the best films our class have seen so far. It left me in awe and absolutely stunned. They were both beautifully produced, presented well and signally Fellini fims La Dolce Vita gives us glimpse of a word picture maker that has moved far neo-realist his roots. The Nights of Cabiria had many more neo-realist elements than La Dolce Vita and therefore was a departure from neo-realism. Nights of Cabiria had some of the clear elements of neo-realism showing Cabrias poor and broken troubles, she is just an cut-and-dried person and throughout the movie you are just only look into her life, also there is a feel of onset location. Versus La Dolce Vita where you can see the lighting and the sets were cautiously intend out, also Fellini used professional actors, even a distant film star. La Dolce Vita introduced us to a public almost never considered before in Felli nis films. It introduced us to the world of the upper-class. A film following a shoplifter from party to party among the rich is practically a scag in the face to the neo-realist movement.
It was often said that Nights of Cabiria marked the return of the first phase of Fellinis career in neo-realism and La Dolce Vita, the beginning of the next. It is my preference to see his films in a continuous visual timeline so that I can know Fellinis artistic growth. Both La Dolce Vita and Nights of Cabiria jimmy out in an episodic manner. However, Nights of Cabiria has a stricter and more handed-down memorial structure, while La Dolce Vita is basically a serial ! of short films. The combination of all the scenes is what leads to the complexity of the films message. When asked, What are these films about? there really is no delicate answer because they are about so much. each laissez passer episode carries a marrow of its own that adds to the boilersuit meaning of the picture....If you want to get a full essay, install it on our website: OrderCustomPaper.com
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